by David Edelstein, as heard on NPR
The new Pixar picture Wall-E is one for the ages, a masterpiece to be savored before or after the end of the world — assuming, like the title character, you’re still around when all the humans have taken off and have access to an old video player. Wall-E (that’s the name of the machine) is a trash compactor, the last of his kind from an age in which cleaning up garbage was mankind’s highest priority — before people threw in the towel (and broom) and apparently (no spoilers here!) rocketed away. Now, this squat, childlike robot with his pivoting goggle eyes resides in a metropolis surrounded by skyscrapers that turn out, on closer inspection, to be compressed trash bricks piled high into the soot-gray sky. The movie is a bit of a trash brick itself: Director Andrew Stanton and his Pixar collaborators have taken cultural detritus — bits and pieces from cherished film genres, pop icons, visionary sci-fi tropes, half-remembered bric-a-brac from childhood — and compacted it all into a sublime work of art.
Read the full review in and read in New York Magazine: here...
Then tell me that you want to go see it. I haven't yet. Really want to, though...
Good flick. Like Castaway meets Micromachines with a hint of human satire.
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Good words.
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